Cameras are like pets — some are Labradors — loyal, helpful, but absolutely everywhere. Others are like cats — fussy, high-maintenance, and kind of judge you for existing. But the Fujifilm X-E3? It’s like a Schnoodle — small but sturdy, clever, quick and also very good looking.

This little thing might just be my favorite camera ever.

I’ve used everything from hulking DSLRs to large format Sinar, beasts that weigh more than my emotional baggage. But when I just want to get out and shoot — no pressure, no pretense — I grab the X-E3. It’s light, it’s capable, and it never makes me feel like I need to justify its existence on a spec sheet.

It’s Small. Like, “Did I Forget My Camera?” Small.

The first time I picked up the X-E3, I legit thought Fuji forgot to install the battery. It’s that light. And that’s part of the magic. It disappears into a sling bag, coat pocket, or camera cube — leaving room for, you know, things like the opposite of back-aches.  

But don’t be fooled — this isn’t a toy.  Under that sleek, minimalist exterior is Fuji’s 24MP X-Trans III sensor, which is still more than enough camera to make you look like you know what you’re doing (even when you don’t).

Public service announcement:  Try to know what you are doing.

How I Set It Up (a.k.a. My “Don’t Think Too Hard” Settings)

When I’m in the mood to shoot and not overanalyze, I set the X-E3 up like this:

• Aperture Priority (A) — Because I like blurry backgrounds and not thinking about shutter speeds until something goes horribly wrong.

• Auto ISO capped at 3200 — High enough for low-light shots, with minimal graininess.

• Film simulation: Classic Chrome or Acros — Because moody tones and also practicing for my eventual Magnum assignment.

The whole setup takes about 90 seconds. Which leaves more time for photography.

Image Quality: Like a Tiny Sorcerer in a Metal Box

The images? Gorgeous. Fuji’s JPEGs are the photographic equivalent of an effortlessly cool Tony Leung.  Most days I don’t even bother editing. I just download, crop into square (it’s how I roll), and boom — done.

Skin tones? Lovely. Dynamic range? Surprisingly generous.

Why It Works (a.k.a. Why It’s Still in My Bag)

The X-E3 works because it doesn’t get in the way. It’s not trying to be a computer. It’s not covered in dials and buttons like that other manufacturer. It doesn’t beep at you for attention. It just quietly lets you get on with the joy of seeing the world, turning the aperture ring, setting the shutter speed dial and pressing the shutter.

And when I bring it out in public? People don’t flinch. They lean in. They ask questions. It looks like an old film camera. Nobody assumes you’re working. Nobody assumes you’re dangerous. That’s rare, and I treasure it.

Final Thoughts (Before I Take It Out for Another Spin)

If you want a camera that’s compact, smart, and quietly stylish — the camera equivalent of an espresso and a leather-bound notebook — the Fujifilm X-E3 might be your soulmate.

It’s not the newest. In fact it is two generations old by now.  But it’s mine, and it’s stayed with me through more cities, cups of coffee, and spontaneous portraits than I can count.

It’s my loyal feisty Schauzer-poodle mix.