This portrait of Kelly was using Fujifilm GFX 50S II on the 63mm f/2.8 lens. Not every portrait session goes as planned — and that’s often when the magic happens. When Kelly walked into the studio, I’ll admit I wasn’t sure what to expect. He’s not someone who’s naturally drawn to the spotlight. No flashy …
4 Tracks and 2 Lights and 1 Nostalgic Tape Deck Dream
Let’s talk about a legend: the Tascam Portastudio 424.And how I lit it like it was about to drop the hottest lo-fi EP of 1995. A Brief Ode to the 424 If you were making music in the 80s or 90s — in your bedroom, your basement, or your bandmate’s garage — there’s a good …
Velouté with fresh pixels
I took out my Thermomix for the first time in a long while. Not to use it. But to take photos because I’m selling it. That’s when it occurred to me: A Thermomix has a lot in common with the Fujifilm GFX 50S II? Yes. That all-in-one German kitchen robot that can sauté onions, knead …
Salar de Uyuni
There’s light. And then there’s Bolivian light. I’ve had strobes accidentally popping off in my eyes, but I’ve never known light, bright light, until I was here. Photographing the salt flats of Bolivia — Salar de Uyuni — was one of the most disorienting and visually surreal experiences I’ve had behind a camera. …
The Fuji X-E3 is not a cat
Cameras are like pets — some are Labradors — loyal, helpful, but absolutely everywhere. Others are like cats — fussy, high-maintenance, and kind of judge you for existing. But the Fujifilm X-E3? It’s like a Schnoodle — small but sturdy, clever, quick and also very good looking. This little thing might just be my favorite …
Using GF50mm for Portraiture
Portrait of Mr. Phua: Making Space Where There Is None — with the GF 50mm Some portraits stay with you long after the shutter clicks. This one — of SK Phua, the master craftsman carpenter in his impossibly packed workshop — is one of them. The space was tight. Every inch of wall, floor, and …
Why GF 50mm is the Perfect GFX Lens
When people think of medium format photography, they usually imagine something big, heavy, and slow. A tripod kind of camera. A “set it up and wait” kind of experience. And sure — medium format can be all those things. (I have a Contax 645 that I love) But what if I told you there’s a …
The Quiet Romantic
Ode to the Pentax 645: The Quiet Romantic of Medium Format In the world of medium format photography, some names shout. Hasselblad — the status (or dare I say it, pretentious). Mamiya — the muscle, the dependable workhorse, all business. But then there’s Pentax. Humble, earnest, quietly brilliant. And among its creations, the Pentax 645 …
The Disappearing X-Pro 1
Portraits Through the X-Pro1: A Camera That Disappears I’ve used many cameras over the years, but few have felt as human as the Fujifilm X-Pro1. When it comes to portraiture, it’s not always about megapixels or high-speed tracking. It’s about presence — both mine and the subject’s. And in that quiet space between connection and …
Falling in Love Again
How the Fujifilm X-Pro1 Rekindled My Love for Photography There was a time when I stopped taking pictures altogether. It wasn’t that I fell out of love with photography — I fell out of love with cameras. As the industry marched forward, chasing specs, screens, and speed, something was lost. The once intimate connection between …