Sometimes the Journey Is the Reward We were between locations — hours into yet another drive across the volcanic desert of southwestern Bolivia. The kind of place where the road is barely a suggestion, and the landscape shifts from black rock to golden dunes without warning. We weren’t chasing a shot. We weren’t expecting anything. …
Salar de Uyuni
There’s light. And then there’s this light. Photographing the salt flats of Bolivia — Salar de Uyuni — was one of the most disorienting and visually surreal experiences I’ve had behind a camera. It’s like being dropped into another planet. A place so minimal, so overwhelmingly vast, that the usual rules of light and …
Using GF50mm for Portraiture
Portrait of Mr. Phua: Making Space Where There Is None — with the GF 50mm Some portraits stay with you long after the shutter clicks. This one — of SK Phua, the master craftsman carpenter in his impossibly packed workshop — is one of them. The space was tight. Every inch of wall, floor, and …
Why GF 50mm is the Perfect GFX Lens
When people think of medium format photography, they usually imagine something big, heavy, and slow. A tripod kind of camera. A “set it up and wait” kind of experience. And sure — medium format can be all those things. (I have a Contax 645 that I love) But what if I told you there’s a …